The last cake I baked drifted out of the pan as if it were an angel descending, settled on the platter, and promptly split down the middle. The fissure was about the size of the Grand Canyon. Since it was a birthday cake and, thus, not expendable, I made repairs. It takes a lot of frosting to fill the Grand Canyon.

I am used to such misadventures; they do not faze me. My husband says these things would not happen if: 1) I read more in the kitchen (as in Julia Child or Betty Crocker), or 2) I didn’t read as much (as in Hemingway or Steinbeck).

But why should I read cookbooks when I am such a marvelous cook to begin with?

I can boil down sentences until there is only the essence left, the true flavor of the words. They cling delicately to the bone of meaning and taste full and round in the mouth. They form such vivid images you can almost bite into them and feel their juices running down your chin.

A good story takes some preparation. Call it marinating. True, there are a few storytellers, such as Garrison Keillor, who pop out stories like microwave ovens. But I, and probably most other writers, take a while to collect information and ideas. After I gather the ingredients, I throw them into a pan, cover them with sauce from the subconscious, and wait.

Sometimes, I wait for years. Good cooking cannot be rushed.

Even after I have made the story, I must wait, let it simmer, let it age. For a story made today has a different taste tomorrow, and the tomorrow after that. Good writing, work studied and hailed and read over and over again, never loses its taste, never goes sour.

Of course, errors do happen. I forget to add a thought. Or I beat an idea instead of folding it in with gentleness and patience. Or I sprinkle in too many adjectives, and the story becomes not only runny but run on.

The best cooks never follow the book as if it were a drill sergeant. They improvise, feeling their way by taste and touch and sound. With practice, you get to know what will work; you have a sense of what the story needs, when it is missing a pinch of this or a dash of that.

And, of course, I have burned things. Everyone does. Cooks on scaffolds building skyscrapers, cooks in operating rooms navigating jungles of tiny veins. Cooks speaking before juries, exploring the ocean deep, patrolling lonely city streets. They make mistakes, but they don’t give up. They go right back and beat that steel beam again, cut out that diseased organ, flambé their opponents’ arguments.

Nothing is more disheartening than to hear someone cry: “I can’t cook.” Nonsense, everyone can cook. We all have our specialties, and none is greater or less than others. We all have some dish inside us with our name on it. Sometimes, we just forget to look for it. We let people sidetrack us. Categorize us. We don’t listen to our hearts.

I say get out your pots and pans and descend into the Grand Canyon. I hear the view is stunning.

 

I have always been of the mind that my cats should take what they get and be happy about it. Apparently, this is the wrong attitude. Some pets require interactive pet feeders, which make meal time an intellectual challenge. These devices pose puzzles and provide interesting hidey-holes that one’s pet must master before being rewarded with pellets of tuna or beef.

The interactive feeding station for cats is supposed to stimulate the cat’s natural instinct to seek and hunt, something our civilized kitties have lost over generations of coddling. Personally, I don’t know if encouraging the wild side in pets is a good thing. I had enough trouble handling the tame ones. Let’s see, there was:

  • Stormy, the dog, was rescued in a thunderstorm, of course. She required an immense amount of expensive dental work, and that was BEFORE she ate the deck. 
  • Luna and Eclipse, the cat sisters, alternately grew fatter and skinnier, until it was tough to tell who was eating what. After Eclipse died, Luna aged into a slow and snooty grazer. Always aloof as opposed to her cuddly sister, Luna took on some of Eclipse’s personality in her later years, seeking attention at all hours of the day, even when it meant flopping on the keyboard or the middle of the dictionary to get it. Then the Intruder came to live with us, and Luna became an entirely different cat.
  • Midori (a.k.a. the Intruder) was a cat child, always bugging the older cat to play and never staying Luna-slapped for long. Midori considered ALL food to be “mine, mine, mine.” The cute Siamese would have eaten until she exploded, I am sure. So her owner (my daughter who was living with us while attending grad school) put her on strictly proportioned and timed meals. I had to lock Luna and her meal bowl away in my bedroom at night to keep Luna’s kibble safe from Midori.

Luna has passed since those days, and Midori has her own house to terrorize now. My daughter has invested in an automatic feeder. At various times during the day, it dumps food into a bowl, which contains a golf ball. Midori has to chase her food around the ball, which slows the little gnosher down and, my daughter hopes, helps with her digestion.

That is as high tech as Midori’s interactivity is going to get. Because Midori is a smart one. I shudder to think what she could do with an interactive feeding station at her beck and paw. Rule the world perhaps.

 

I entered the Best Tweet About the College that Censored Firefly contest today. My chances of winning are looking about as good as my chances of using my new snowshoes in Minnesota this brown winter. I never win anything, which is fine by me. I am the Rodney Dangerfield of contest winners. So don’t vote for me and ruin my record.

I put my silly tweet in the pot just for fun, but also because I really hated what the University of Wisconsin in Stout tried to pull on theater professor James Miller. In September, Miller posted a quote from the television show, Firefly, outside his office door: ”You don’t know me, son, so let me explain this to you once: If I ever kill you, you’ll be awake. You’ll be facing me. And you’ll be armed.” The sentiment is about standing for a certain set of values, of being straightforward and honest with your fellow humankind. No threat was intended.

But campus police were having none of it. On September 16, they removed the “unacceptable” poster because it referred to killing. In response to this censorship, Miller launched a second salvo poster, which read: “Warning: Fascism” and included a cartoon image of a silhouetted police officer striking a civilian. The poster warned, “Fascism can cause blunt head trauma and/or violent death. Keep fascism away from children and pets.”

Again, the university responded by removing the poster. Quickly, the incident blew up into a public relations nightmare for the university, fueled by tweets, blog posts, and articles by Firefly fans, free speech advocates, the media, celebrities such as Adam Baldwin and Nathan Fillon, and the Foundation for Individual Rights in Education (FIRE). On October 4, the university put out the publicity wildfire by reversing its decision to censor Miller.

This may sound like old news, but a similar incident will likely surface somewhere in the world tomorrow or the next day. Censorship seems to never go out of style. And so, FIRE is sponsoring the tweet contest to draw attention to a new video on censorship featuring author Neil Gaiman.

Now, I have a few disclaimers: 1) I am a Firefly addict and take umbrage at people messing with this rag-tag crew; 2) I am a free speech nut; and 3) I have written a novel about a town that censors books called Book of Mercy. Even if you are or have done none of these things, please watch the video. 

Oh, and my tweet? Here it is:

Son, if you don’t know #censorship is wrong, you just don’t get it. #Firefly in a jar w/no walls. http://bit.ly/tGzd0o

My way-too-literal friend complained, “How can a jar have no walls?”

“It’s about freedom,” I explained.

“I don’t get it,” he said.

This is why I will not win this contest. I suck at jingles.

Feel free to RT in the name of Browncoats, TV shows cancelled before their time, and the way fireflies make you feel on a summer night.

 

This time of year you are inundated with promotions—every single one of them shameless. I’d like to keep Christmas pristine just as much as the next guy, but what’s an indie author to do? I’ve got birds to feed, kids who need more electronics, and an 81-year-old father expecting something for Christmas.

We’re all—both indie and traditional publishers—fighting for your attention. Hey, you out there in cyberland, yes you, look at me, look at my book (major waving and jumping around). Put down that L.L. Bean catalog and come to the Twelve Days of Christmas Indie Book Blowout.

The Blowout is like that annual book sale you wouldn’t miss for the world, the one held at your church or your local library. Every year you go, slowly making your way down aisles between tables crammed with books. Your neck gets a crick in it from turning at just the right angle to read book titles on old moldy spines. The room smells of books—and excitement. What treasure will you find this year?

The Twelve Days of Christmas Indie Book Blowout is full of treasures. Here are twelve shameless reasons why you should explore it:

  1. The most shameless of the shameless: my new novel, Book of Mercy, is there. Where else will you get a serious topic—censorship—all wrapped up in a funny novel? (There’s pie throwing, a wife who binge drives, a navigationally challenged husband, a villain who wears Prada, hubcap art, and a bad guy who likes Richard Nixon masks.) FOR JUST 99 CENTS. The first three chapters alone are worth that. And once it’s on your Kindle, it’s easy to get to, unlike some partridges in pear trees.
  2. Turtles (not to be confused with turtle doves) are fearful things. They duck back into their shells at the slightest provocation. At the Blowout, you can work on facing your own fears. You WILL find the perfect book for Uncle Harvey or Aunt Rose. There are more than 200 from which to choose—and every book is only 99 cents.
  3. Looking for something foreign? I don’t think there are any books in French or about hens. But you should examine every one, just to make sure.
  4. If you hadn’t read this far, you wouldn’t know that the famous holiday tune actually sings of “colly birds” on the fourth day, not “calling birds.” What’s a colly? It’s a blackbird. In England, a coal mine is called a colliery, and colly refers to something being black like coal. Isn’t it great to learn new stuff? No doubt you will access all kinds of new information in your Blowout books.
  5. I cannot promise you that you will receive five gold rings this Christmas. However, if you shop at the Blowout, you could win a new Kindle. Buy a book and get entered into the giveaway. What will you do with another Kindle? Keep it for yourself and give your old one to your kid.
  6. Don’t lay a goose egg this Christmas. You can give Blowout eBooks to friends and family who don’t even own Kindles. They can download a free Kindle app and read into the wee hours of the morning on their computer, iPad, or smartphone.
  7. Duckling or swan? Shopping at the Blowout will bring out your inner beauty. Because that’s what reading and books do. They grow our spirit, make us laugh, and feed our dreams.
  8. If you’re a maid who has a lot more milking to do before the sun sets and can’t face the mall, simply turn on your computer and head to the Blowout. You can satisfy any reading appetite without leaving your desk: scary horror stuff, fun romances, intriguing mysteries, smart contemporary fiction, mind-blowing paranormal tales, and in-your-face nonfiction (it’s all true, baby). Every book is 99 cents, which fits perfectly into a milkmaid’s budget.
  9. Remember the Black Friday riots: people grabbing toys out of other people’s carts; shoppers shoving, pushing, and pepper spraying? At the Blowout, we are all about decorum. You can act like a lady or a gentleman—and still stuff your stocking to overflowing with Kindle books. Go ahead, do your happy dance now.
  10. Every day of this special sales event, the Blowout will be giving away Amazon gift cards to winners randomly selected from the Indie Book Blowout subscriber database. That ought to set your lords to leaping. Enter the giveaway with each purchase. That’s extra smackeroos to supplement your Christmas budget (or to pack your Kindle with more Blowout deals).
  11. Sorry, there is no music being sold in this holiday promotion. You will have to get your pipers piping elsewhere.
  12. Drum roll, please. This wouldn’t be a shameless list if I didn’t mention my book again. Book of Mercy: a funny novel about a serious issue—censorship. Don’t fall for a book of similar title by some guy named Cohen; that’s poetry. I don’t write poetry, and I don’t sing. But I have always wanted someone to dance me to the end of love.

So let’s get in the shopping, er, holiday spirit. Go to the Twelve Days of Christmas Indie Book Blowout NOW and begin wandering our virtual aisles. The Blowout only lasts from December 12-24, 2011. It is sponsored by the Indie Book Collective, a group of authors who believe readers rock.

Happy holidays and enjoy your books.

_____________________________________

MORE! Check out these blogs by other Indie Book Blowout authors:

Rachel Thompson: Indie Book Blowout Begins!

J. Sterling: Being an Indie Author

Shannon Muir: The 12 Days of Christmas Indie Book Blowout

Abbey MacInnis: Twelve Days of Christmas Event

Ron Vitale: The 12 Days of Christmas Indie Book Blowout

JC Andrijeski: 12 Days of Christmas Indie Book Blowout (with free Kindle and Kindle Fire!)

C.K. Bryant: 12 Days of Christams: Indie Book Blowout!

 

Jenna already has her lights up, of course. I would have mine up, too, except ever since Sam fell into the Grand Canyon, I have been a little behind on things. I told my husband, leaning over the edge like that, that there wasn’t anything down at the bottom of the Grand Canyon but river. Well, he proved me wrong. Men dance on the edge of the abyss, not even thinking about the mess they’ll leave behind.

From the moment Sam hit that rocky bottom, my world changed. It didn’t help that the stock market went splat, just like Sam, shortly thereafter. I have held on to my 1940s St. Paul bungalow by judicious spending, prodigious coupon clipping, and lowering the thermostat. It’s not so bad. Zoey the cat and I burrow under the down blankets and listen to the snowplows at night.

My one worry is the Christmas lights. Electricity is expensive, and I simply MUST have at least 5,459 lights. That is the number smothering Jenna’s house, trees, and that tacky plastic North Pole diorama. She’s been bragging all over the neighborhood about this year’s display. If I can’t produce one light more, she will win.

“You and Jenna have been competing with each other since the cradle,” Sam always said.

It was true. I took the crown at the Beautiful Babes Contest when we were four; Jenna threw a tantrum and ripped out her pink bows and half her blonde hair. But she came back swinging at the State Fair when we were sixteen, becoming one of the beloved dairy princesses. As I fumed, my mother said, “Now be Minnesota nice, Abigail. Besides it’s cold sitting in that freezer getting your likeness carved in real butter.” I wanted to knock that tiara off Jenna’s butter head with a hot dish.

And that’s the way we’ve gone on for fifty years: frenemies. Neither will be the first to let our hair turn gray or admit our true age. She even moved in right across the street from me. Her house is bigger than mine, and newer, but mine is an original Craftsman, not one of those knockoffs.

I tear my gaze away from Jenna’s house and pluck the electric bill from a nest of bills in my lap. “Zoey,” I stroke the cat nestled on top of the bills, “where can we save a hundred dollars and keep my lights on?”

“You could put up fewer lights,” Sam would say.

“Not on your life,” I tell Zoey.

Outside Jimmy, the boy from down the street, is doing Sam’s old job. He is my new light man. He lifts and untangles and hammers and strings. It will take him two days, and I just hope he knows his way around a roof.

While Jimmy works on the lights, I walk to the hair salon. This time of year, I always take a route that passes the Black Rooster because it offers one heck of a Christmas display. As I’m taking in the decorations, I peek through the diner windows and see Bennie Nordgaard, Jenna’s husband, in a booth, giggling and patting the hand of a woman who is at least twenty years younger. He glances in my direction and jerks back his hand. I raise an eyebrow. He looks away.

That night I can’t sleep. Zoey is hogging all the covers. She is fifteen pounds of Maine Coon dead weight. I look like crap the next morning when Jimmy knocks on the door. He spends another day untangling and hammering, finishing about four o’clock. He has tested his work and swears that every one of my 5,460 bulbs is working. Five thousand four hundred and sixty—I make Jimmy count them twice.

That evening I bundle up and go outside to stand in the street and bask in the glow of my Yuletide extravaganza. Before long, Jenna joins me. As she stands beside me, the smell of her Chanel reaches across to me in the cold. We both stare at my house. I cross my arms. She crosses hers.

“How many?” she asks.

This is when I do the victory dance in the packed snow. I have the numbers and the money to keep them lit. But for some reason, I don’t jump to respond. I find myself thinking of the blonde in the booth at the Black Rooster.

Before I know it, I lie: “5,458.”

Jenna stands a little taller and gives me a satisfied smile. “Too bad. 5,459.”

“Well, there’s always next year,” I say.

“Yup, next year.”

As Jenna minces her way across the icy walk back to her house, I return to mine. Zoey greets me at the door. I bend to stroke her then whip off my hat and shake out my hair. I examine my gray roots in the mirror. Sam had been pushing me to go au naturale for years.

A dye job at Missy’s Mane Event costs about a hundred bucks.

“Merry Christmas, Sam,” I whisper.

__________________________________________

If this story brought some holiday cheer to your busy day, please take a moment more and check out some of Sherry’s other fiction: Book of Mercy, a funny novel about a serious issue—censorship, and Maud’s House, about what happens when creativity goes missing in a small Vermont town.
 

It is easy to be a yogi in a cave in the Himalayas. Ascetics don’t realize how good they have it. They don’t have to worry about how to make the next college payment or tolerate telemarketers at dinner. No one cuts them off in traffic or expects them to put their world on hold for the Super Bowl.

I think it is especially difficult to be both a mother and a yogi. It’s the whole detachment thing. Mothers who tie themselves to other humans with that most intimate of tethers, the umbilical cord, can’t just cut loose the people, concerns, and joys in their lives. It’s a snap to detach in the bowels of a mountain. But just try it when your ailing nineteen-year-old calls from some under-staffed, low-tech hospital in a Third World country thousands of miles away. Or when your other daughter, the cheerful one, is crying her heart out, right there on your shoulder, over some loser who didn’t call.

To the yogi, even-mindedness is everything. We search for balance in mind, body, and spirit. We flow through poses meant to make us strong and centered—and presumably able to handle with equanimity the day the washer overflows and the cat barfs in front of guests and the sturdy oak shading your car falls like a giant flyswatter.

I meditate and practice asanas and read yogic texts—and I still fall apart in the midst of calamity. I still burn with anger and sink into depression. It is quite obvious. I am an inept yogi.

I don’t look like a yogi. I have the kind of shape that runs screaming from a unitard. I have fat cells as old as my children.

I don’t eat like a yogi either. Although I avoid most red meat, I still have occasional moments when bliss comes as a burger and fries. Vegetables are still my enemy, and vegetarianism is just an excuse to eat bread. Some days I wonder why I even unroll the yoga mat.

And then something unusual will happen and I will discover a tiny corner of yogi in me. Maybe I’ll be packed in a shop with all the other Christmas shoppers, clutching a paper in my hand, and waiting for the clerk to call my number. The woman next to me is transferring a fractious baby from one hip to another. I notice her number is higher than mine. And before I even realize what I’m doing, I offer to trade numbers. She declines, but I see the hope in her eyes and insist. And as the trade is made, the moment our fingers touch, a wave of calm and patience swamps me.

And then there was the time my cat was feeling poorly and I rushed her to the vet, only brief hours before I was due to drive halfway across the country. I thought the vet would simply give me some pills, the administration of which I could pawn off on the pet-sitter. But the vet said, no, my cat was dying from the advanced stages of renal failure. I had a choice: let her suffer or put her under.

I have had to put pets to sleep before. But this time, yogi mind reared its head and I was filled with ethical issues. Grief and sorrow mixed with the confusion of karma. Ahimsa is the yogic concept of:  harm no being or creature. My rational husband assured me it was the right thing to do. (I’d even consulted with him on the cell phone before holding Eclipse the cat for the last time, and he’d said: do it; make it merciful.) Yet I still cry for Eclipse sometimes.

Now, as a yogi, I don’t assume every good snake is a dead snake. When a spider invites itself into my shower, I don’t automatically reach for a shoe. I call for my husband to capture the creature and release it outside. Although it is a challenge, I try to refrain from glaring at impatient and rude people who shout in cell phones in public places.

As I said, being a yogi isn’t easy, especially in the wireless age, but then maybe it isn’t supposed to be.

 

Our marriage is a Halloween-free zone.We also avoid restaurants with themes, ever since the waiter at Renaissance Buffet plopped down on one knee, thumped his chest, and said, “My liege, might I suggest a hearty meat pie or a joint of our finest mutton roast?”

That put my husband off his feed. “I don’t like people in costumes touching my food,” he said. “They unnerve me.”

“Hmm?” I said, studying the menu. “What’s in the Borgia Burger?”

You might wonder how we raised two daughters with these types of phobias. We did okay until they hit preschool and learned from some loudmouth that other kids actually procured bags of goodies on Halloween. That happened to be the Halloween they both had chicken pox, so after much begging, I relented to conjuring up two princess costumes. I smeared white makeup on their faces to hide the red spots and pronounced them ghost princesses. I agreed to let them extort candy from one house.

When we returned, my oldest said with dreamy eyes, “That was so much fun. Next year, can we do two houses?”

And that was the end of my Halloween bliss until they got old enough to make their own costumes and preferred parties to walking the streets.

Really, I don’t think we need to teach our kids about extortion. There is enough of that in the world already between South American kidnappers and Somali pirates. Maybe, instead, we should turn the day upside down and have our kids give out treats instead of asking for them.

Being a chocolate lover, I could get into that. But wait, I’m not allowed to answer the door on Halloween. Ever since our daughters went to college, our tradition has been a simple one: we hide.

We order Chinese takeout, pull the shades, turn out the lights, and go to the basement with our moo goo gai pan. There we watch a romantic comedy, where no one is terrorized by little beings in costumes or overzealous waiters.

 

In August 1999, I put my daughter on a plane for Ecuador and settled down to wait. I had heard all the public relations about study abroad: how my daughter would never be the same after a semester as a foreigner. But I liked her the way she was before she left, I tell my husband, with a sniffle. He takes the exit out of the airport and gives my leg a comforting pat.

Gallivanting all over the world (otherwise known as “broadening”) is almost a requirement in raising a child in today’s global society. Corporate recruiters look for candidates who are sensitive to other cultures and savvy about political issues. Bilingual and multilingual skills translate into bonuses. Recognizing the value of the study abroad experience, however, doesn’t make it go down any easier for those left behind—parents, siblings, grandparents, roommates, lovers, pets.

So What Do We Do as We Wait?

My routine—one followed even on Sundays and holidays—quickly evolved. Each morning I checked the weather page in the newspaper to find out how the weather was in my daughter’s corner of the world. In Quito, Ecuador, situated within kissing distance of the equator, temperatures averaged in the sixties and seventies from August through December—the rainy season. It sounded like paradise with an umbrella, but I wasn’t to be fooled. No matter how perfect the weather where your child resides, you wonder what clothes and accessories he or she has on hand to reply to the elements: rain gear, hat, sun block, mosquito netting.

After the weather check, I turned to the international pages for catastrophic news: floods, blizzards, hurricanes, rebellions, political coups, or tribal uprisings. Of course, something or someone will be on the rampage near your child—you just know it. In my case, it was volcanoes. In Ecuador, a country smaller than Nevada, there are thirty volcanoes in two mountain ranges. The area is affectionately called the Avenue of the Volcanoes. Although most of Ecuador’s volcanoes are extinct, two bad boys flexed their muscles while my daughter was there: Tungurahua, which caused the evacuation of whole villages and the abandonment of businesses and crops, and Guagua Pichincha, which belched plumes of ash into the sky and sent everyone near Quito hunting for protective masks.

After breakfast, and my digestion of the news, I headed downstairs to gather my e-mail. On a good day, a message from Ecuador was waiting. To accomplish this feat, my daughter had ridden on a bus for two hours to a nearby major city, eluded the pickpockets, and found a cybercafe with a working Internet connection. Often the e-mails were short and reassuring: “The Quito airport has been closed for six days due to the volcano. Don’t worry. So far the ash showers are not bothering my asthma. I doubt the volcano will have an impact on my case of food poisoning.”

Occasionally the waiting was interrupted by a letter, written a month ago, perhaps amid a cloud of butterflies in the rain forest or huddled wet to the bone on a dirt floor. These communiqués expressed weeks-old feelings, fears, joys, and frustrations. You don’t know whether to be relieved or to call the American consul. Even better than a letter was a telephone call. At first, you can’t believe that the voice so far away is your baby and you feel like weeping, but at $2 a minute, you contain yourself. These calls are invariably bittersweet; your child is alternately enchanted by new experiences and yearning for familiar ones. Homesickness crackles between the words and the inevitable pauses of international telecommunications. Excitement sings along the wires.

These calls are never long enough and often inadequate—especially when your child opens by announcing that she is calling from the hospital but you’re not to worry.

“The hospital staff thinks the dysentery is under control,” my daughter says, and I imagine my firstborn alone in a strange hospital ward at the mercy of Third World medicine men and women.

“Is the hospital clean?” I ask.

“It looks okay to me,” she says. This from the daughter who hasn’t felt a hot shower in eight weeks.

“Can you understand the doctors and nurses?”

“Sometimes.”

What Took You So Long

We wait for soldiers to return from war and for the butcher to call our number at the meat counter. Teachers wait for understanding to flicker and shine in the eyes of students. Mothers wait for babies to be born. Children wait for St. Nick to squeeze down a chimney and step over the gas logs.

Does anyone become good at waiting? I am told that waiting teaches patience and humility, but then it also inspires road rage.

I’ve come to understand that you endure waiting by simply doing it and not thinking for too long at any one time about that for which you wait—that child who is dodging malaria-carrying mosquitoes in the rain forest or drinking espressos in a Parisienne café or cajoling a camel across the desert. That child, who you remember as being incapable of picking up her own socks, is now doing everything without you, and she is managing quite well, making mistakes and discovering strengths. In fact, she is laundering her Gap shirts by slapping them on a rock—something you can’t imagine doing.

Waiting is about letting go a little bit at a time, e-mail by e-mail, letter by letter. We can go into withdrawal and take to our beds or we can discover some strengths of our own. And when the plane touches down and she walks into your arms, you can’t help but notice that there’s a confidence to her stride, a gutsiness that she wears like an expensive perfume. Suddenly, you are in awe of what she has become—the woman you always wanted her to be.

Thoughts? When have you had to let go? How did you handle it?

 

My daughter hates birds. Except for Tippi Hedren after being cooped up for months on a shoot with spooky Alfred Hitchcock, I don’t understand someone taking such a dislike to birds. “It’s their knees,” she says. “They bend backwards. Gross.”

 

I, on the other hand, am intrigued by any creature that effortlessly runs, swims, or flies. It seems you never see a gazelle with arthritic knees or a klutzy sunfish or an eagle with a fear of heights. Gracefulness, that ability to move seamlessly through one’s environment, simply amazes me.

 

Oh, I’ll admit nature can be a pain. For weeks I entertained murderous thoughts about a woodpecker that enjoyed early morning jackhammering on the wall by my bed. A friend suggested that I place fake snakes on the side of the house to scare off the woodpecker, a trick similar to mounting phony owls on the runways of airports. But I didn’t think nailing rubber reptiles to the wood siding was going to enhance my property value.

 

And I have been known, while camping, to shout for a gun in the middle of the night as I tossed and turned in my sleeping bag, finding every rock on the ground, while a whippoorwill in a nearby tree called and called and called.

 

Yet despite these nuisances, I keep seeking nature out. Since moving from North Carolina to Minnesota, I have taken to the trails that crisscross the prairie. I never tire of seeing the white egret standing on the edge of the pond. And if the Canada geese are noisy so are the airplanes.

 

One of my first weekend trips after I arrived was to the Mississippi River where on an island there was a colony of great blue heron or as we birding insiders call them: GBHs. GBHs are cool creatures, winging overhead their long legs dangling behind them, but they are something else playing house in gargantuan nests atop the cottonwoods. A naturalist told me that every year they count the GBHs in Minnesota. It is not a job for the timid. The census takers wear goggles and rain gear because apparently the GBHs do not take kindly to being counted and express their displeasure by either pecking or vomiting on the GBH counter.

 

My husband, who was raised in Minnesota, has childhood memories of loons on crystal lakes. Even though we live in suburbia, he has two pairs of binoculars at the ready at all times. This is not as crazy as it sounds. When visiting Connemara, the North Carolina mountain home of Carl Sandburg, I noticed a pair of binoculars on the dining room table. There was a line of bird feeders outside the dining room windows. Apparently, it was not unusual for Carl to throw down his grilled cheese in the middle of lunch, grab the spyglasses, and scope out the hummingbirds.

 

Of course, it does not do to become too attached to anything in nature. Easy come, easy go is the natural law. Once I was watching a little boy tossing stale bread to some ducks in a small lake in North Carolina. It was spring, and the cuddly, fuzzy baby ducks simply melted your heart. We were laughing at the ducks’ antics when a big turtle rose out of the water and snapped off the head of one of the baby ducks. The traumatized child ran screaming to his mother. Suddenly, I wanted my mother, too.

 

After reading any news on the Timberwolves (the basketball team, not the critters) and the latest terrorist attacks, I usually turn to the Variety section of the paper. There in the “Did You Know?” column is all kinds of useful information. Sometimes even stuff about birds. One morning after reading the paper, I had to call my daughter. I’d just read that those knobs on the long, pencil-thin legs of flamingos were not knees. They were ankles. The knees of flamingos are actually hidden under their feathers.

 

“So, what you’re saying is this bird has ankles half way up its legs,” my daughter said. “That’s still gross.”

 

 

I had been stumbling around in the plot of a book I was writing for some time. I knew the protagonist couldn’t read and that books were disappearing. I was going for some kind of Alice Hoffman magical realism thing. Perhaps with a little humor since my book’s working title was “Too Dark to Read,” after the Groucho Marx quote: “Outside a dog, a book is man’s best friend. Inside a dog, it’s too dark to read.” But then in 1996, my daughter came through the door, crying, “Mom, they’re banning books!”

My daughter was a junior and an IB student in a North Carolina high school. She had a mean forehand and a voracious love for books, including the book in question, The Old Gringo by Carlos Fuentes. Fuentes is recognized as one of the most influential writers in Latin America. In fact, in 2006, he received the Four Freedoms Award for Freedom of Speech and Expression. Ironic, I know.

My first response was to sit down, read the book, and discuss it with my daughter. It is the story of celebrated American writer and journalist Ambrose Bierce, who mysteriously disapeared in Mexico during its civil war. Fuentes imagines the fate of Bierce among Pancho Villa’s troops in a tale that examines “the borders between men and women, dreams and reality, Mexico and the U.S,” as Publishers Weekly put it.

What the censors in our town (parents of one of the students) objected to were explicit scenes between a young Mexican revolutionary and the American teacher, who falls in love with him. I had no problem with my 17-year-old daughter reading those scenes. But then I’ve never denied my daughter a book she wanted to read.

After an intense public meeting and a review by committee, The Old Gringo eventually was returned to the shelf and the IB curriculum. But in the process, my daughter’s English teacher, a favorite of many of the kids, decided to move on, perhaps to a place where teachers didn’t receive hate mail.

This incident had a huge impact on the direction of my book. Book banning in fictitious Mercy, North Carolina, became the conflict, and Antigone Brown, the woman who fights the censors, ponders the same questions I had as I wrote letters in protest of the removal of The Old Gringo.

All too often, censorship is a parental issue. As Antigone says in Book of Mercy, “I want to protect my child from the world. But I also want to protect the world for my child.”

What I learned in writing this book and in raising my daughter is that books can never be allowed to disappear from the shelves without a squeak. We must say something; explode the discussion in letters, e-mails, tweets, and public meetings. We must never let censorship dissolve into the dark.

According to the American Library Association, on average about five hundred books are challenged every year in the United States—and those are just the ones we know about. Some would say this is horrible. But I think if we didn’t have a way to challenge the actions of others, we wouldn’t be truly free.

So I accept that book challenges are necessary, but I also am happy when they fail.

Book of Mercy, a story about a woman who faces her greatest fear to save a town’s books, is available in paperback and on Kindle. Read more about Book of Mercy or check out an excerpt.

© 2011 Sherry Roberts Notebook Suffusion theme by Sayontan Sinha