The goal is to build more libraries than Andrew Carnegie. That’s 2,510. They don’t have to be big or built of marble or be guarded by massive stone lions. They just have to have books and people who want to read them.

The Little Free Library movement started in 2010 in Hudson, Wisconsin, with a tiny library that resembled a one-room schoolhouse. It could hold about 20 books and was built in memory of teacher and book lover June A. Bol by her son, Todd Bol. The concept was simple: take a book; leave a book. Grow literacy like a flower garden in your own front yard. Place a bench by your library so on a summer evening a neighbor and his grandchild can stop by, grab a book, and sit down right then and there and read it.

This simple idea took off and now there are Little Free Libraries in more than 40 states and 20 countries. You can get plans for building your own little library at the Little Free Library website and see a diverse collection of tiny bibliothéques. They are works of art and as individual as they come.

No Library Cards, No Fines

I love the idea of sharing books with abandon, of no one keeping records or collecting fines. I search for libraries wherever I go, and I delight when I find them in unsuspecting corners, like an old general store in Vermont or a historic lodge in Montana. Someone cared enough about the summer readers or vacationing hikers to pull together an often well-worn collection.

Back when Rubbertoes, my partner, and I were geocacheing every weekend, we actually started our own lending library in a cache by a Minnesota lake. We called it Maud’s House after my first book and stocked it with copies of said book carefully protected in waterproof bags. Geocacheing operates on the same principle as the Little Free Library: take something and leave something. With GPS in hand, our visitors took a book, enjoyed a pleasant hike around a lovely lake, and left behind anything from Mardi Gras beads to a McDonald’s toy. It was a fair trade. Some of them read the book and brought it back for the next reader, while others maybe passed it on, leaving it in some other cache so it could travel the world (like some kind of ceramic gnome).

In my novel Book of Mercy, my protagonist Antigone Brown created her own library, Bookhenge, in response to the censorship in her community:

While the rest of Mercy chained holiday wreaths to their doors and cursed contrary Christmas tree lights, Bookhenge exploded in a spirit of giving. No one kept track of the books; no one supervised what someone else read; no one mutilated the books they didn’t like or agree with; no one plucked the words they found distasteful from the pages with razor blades. There was something pristine about the library Antigone built, something that shone like a beacon that child after child followed to a new land.

Whether you create your library to foil the censors or just to see the smiles on the faces of the kids in your neighborhood, don’t ever think you are doing a small thing. If you can instill one other person with a love for reading, and that person impacts another person, you could start an avalanche. And we need one. According to Statistic Brain, 42% of college students will never read another book after they graduate.

That’s nearly half the population missing out on love and adventure and zombies. Yes, I’ll take readers who love zombies over no readers at all. So let’s give Andrew a run for his money. Build a library.

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Do you have a Little Free Library? Tell us about it. Where have you found libraries in odd places?

If you enjoyed this post, you might like my other writing: Maud’s House, about what happens when a town loses its art; and Book of Mercy, a funny novel about a serious issue: censorship. 

 

This is a story of a woman who drew on the walls and the stove and the breadbox. Her name was Maud. And I fell in love with her spirit.

Folk artist Maud Lewis of Nova Scotia was a wee woman with such a great artistic spirit that her entire house has been preserved in the Art Gallery of Nova Scotia. The diminuitive dwelling doesn’t take up much space; it was only a 10 x 12 foot fisherman’s shack to begin with. Yet it was bursting with life when Maud lived there.

“Once this house was covered in tattoos.” That was the first line I wrote for my novel Maud’s House, after reading about Maud Lewis and seeing her artwork. Although my novel has nothing to do with Maud Lewis or her life, I hope it is imbued with her unquenchable desire to create. I couldn’t help but name my character Maud because she came to be as driven as the real Maud.

Pictures of Maud Lewis nearly always show her smiling and hiding her hands, which had begun to curl and become misshapen when she was 15. Her art is always joyful: brightly colored flowers, oxen with large curling eyelashes, glorious butterflies and birds. These were the things Maud saw from her window every day.

When I get stuck and consider complaining about how lousy the writing is going, I think of Maud and kick myself. She was a sickly orphan passed around from one poor relative to another until one day, in her thirties, she walked down the road from Digby to the isolated cabin of shy fish peddler Everett Lewis. Everett was impressed that his dog didn’t bark at their uninvited visitor. Apparently, Maud had passed some kind of test. Within weeks, they were married and living in their closet of a home.

Everett encouraged Maud’s love of painting and scrounged paints for his wife. Soon she was riding along on his fish route in the Model T selling hand-painted postcards—five for a quarter.  In the 1940s, Maud put out a roadside sign, “Paintings for sale,” and began selling small paintings to tourists for $2.50. By the time she died in 1970, at the age of 67, her paintings were being shipped to collectors all over the world.  

These are the things you should remember about Maud Lewis:

  • She never took a drawing lesson, read a textbook, or saw a work of art.
  • She contracted polio as a child and later was afflicted by arthritis. She lived in constant pain. By the end of her life, Everett had to lift her out of the bed in the morning, dress her, and set her by her easel and paints. And still she painted: everything in her house (even the windowpane), driftwood, cookie sheets.
  • In her final years, in the hospital with a broken hip and no longer able to control a paintbrush, she made Christmas cards for the nurses with felt pens.

When she was creating her art, Maud Lewis escaped pain, poverty, and the Nova Scotia cold.

She proved that the creative spirit makes everything seem bigger—life, love, even a painted doll house with no insulation or running water.

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Visit the Painted House of Maud Lewis

 

 

This book tour I am going in my pajamas.

I am participating in the Get Loaded Blog Tour de Force sponsored by the Indie Book Collective this week, and I hope to get more mileage while putting on fewer miles. This is the new paradigm in publishing.

You see, in my last book tour (back in the ’90s when few people were talking about virtual anything much less a virtual book tour), I traveled for ten days from Los Angeles to Vermont to promote my book, Maud’s House. I talked to packed houses and empty ones; one horrendous thunderstorm washed away all my potential readers in Chicago.

Maud’s House is the story of a Vermont artist who loses and regains her creativity. As a child prodigy, Maud drew on the walls of her house, every square inch. As an adult, she is has lost her muse, drinks too much Rolling Rock, and seems to only be able to draw postcards featuring cows.

The neat thing about any book tour, virtual or physical, is meeting readers and learning about their lives. On the Maud’s House tour, I met readers who cracked me up and who touched me with their stories.

One woman admitted that she had begun writing again after reading my book: “I was raised in a strict home where we weren’t allowed to dance or paint or write. I’m in my fifties and starting my first journal.”

Another woman said she had a brother who, like Maud, drew on the walls. He was always getting in trouble with their mother. In the end, he became a successful artist. One day, the mother discovered one of her son’s early drawings secreted way on a wall inside a closet. She seriously considered cutting that part of the wall out and having it framed.

I hope to meet more great readers on this tour. Come back to this blog on Thursday, January 26, my featured day of the tour, and let’s talk. I am promoting my new novel, Book of Mercy, this time. It’s a funny novel about a serious issue (censorship), so we’ll have lots to discuss.

See you Thursday. I’ll be in my PJs, so don’t dress up on my account.

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What’s on your mind? I’m listening. Maud’s House is about pursuing your creativity no matter where it takes you: to the painting studio, the kitchen, the garden, the antique car in your garage. What do you take to the level of an art? Leave a comment below.

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