Sherry

 

Book of Mercy was a finalist in the 22nd Annual Midwest Book Awards, which were announced on May 9 in Bloomington, MN.

Is this a big deal?

I interviewed Antigone Brown, the main character in Book of Mercy, about her view of this momentous event. She is a mother-to-be who stands up to the book banners in her small North Carolina town, even though she can’t read.

Me: So Antigone how are you feeling about this nomination?

Antigone: They like me. They REALLY like me.

Me: Yeah, it was cool to be nominated. Publishers from 12 Midwestern states submitted 362 entries in 50 categories in this year’s competition.

Antigone: That many? Well, it’s validation. [Lowers voice.] After all, this was an indie (self-published) book.

Me: Why do you need validation?

Antigone: In the fiction world, as a female lead character, everybody is comparing you to either Scarlet O’Hara or Katniss Everdeen.

Me: Really? I had no idea.

Antigone: Yes. I only take on a group of highly influential women removing “undesirable” books from the school library . . .

Me: And don’t forget the pie thrower.

Antigone: How could I? I’m still washing that banana cream out of my clothes. But Scarlet in Gone with the Wind faced down the Union Army, and Katniss in The Hunger Games outmaneuvered mutant killer wasps. Tough competition.

Me: Personally, I hate contests.

Antigone: I’m with you. But we live in a world consumed by contests, from sports to American Idol and the Academy Awards.

Me: Still, I’m sorry I didn’t pit you against hordes of fighting men or an evil empire.

Antigone: Irene (the leader of the censors) was evil enough.

Me: Cheer up. You have a secret library. I doubt Scarlet ever read a book, and Katniss was too busy trying to feed her family.

Antigone: Yes. Bookhenge. Nice name for a library, by the way. But back to all these contests. I’m beginning to wonder what my child will be compared to.

Me: You’re always worrying about that baby.

Antigone: Of course. What’s a parent to do?

Me: You have many agonizing years ahead of you. There will be school recitals and pageants and spelling bees.

Antigone [shudders]: Kids called me a loser because I had trouble reading. I don’t want that for my child. I don’t see why we have to make comparisons at all.

Me: Because if you lose, it is supposed to make you try harder the next time.

Antigone: You mean, in the next book, you’ll try to write a better me?

Me: There is no better you. I will write a different you.

Antigone: Make her skinnier. She’ll like that.

The Midwest Book Awards are sponsored by the Midwest Independent Publishers Association.

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If you enjoyed this post, please subscribe to this blog, make a comment, or check out Book of Mercy. It would make Antigone happy, but please don’t compare her to Scarlet or Katniss. She gets touchy about those folks.

 

Art is never supposed to be cute. If you called the Mona Lisa cute, I bet she’d slap that grin right off your face. Art should fill you with serenity or rage, with beauty or horror. But never the warm, cuddly cuteness of babies and kittens.

Cuteness in art is the kiss of death.

Every year I attend the “Art in Bloom” exhibit at the Minneapolis Institute of Art. This is a must because, by April, I am coming off two gray months and four white months of Minnesota winter, and my eyeballs are jonesing for color and flowers. Art in Bloom provides both. It also sometimes serves up a sickening dose of cuteness.

The idea of Art in Bloom is for an artist to select a piece of artwork and then interpret it in flowers. It is open to both professionals and amateurs so I try not to be too critical. My problem is when the floral artist gets too representational—or cute. And some years all cute minds think alike. This year it was shoes. At least three interpretations included shoes in them: a painting of a bronco rider (the artist used a cowboy boot vase), a painting of a Dutch girl (yes, there was a wooden shoe tucked into the greenery), and a sculpture crafted of nothing but footwear.

My daughter thought I should give that last arrangement, which was constructed of white carnations and a pair of black sequined heels, a free pass since the sculpture itself (Willie Cole’s Ann Klein with a Baby in Transit) was made entirely of real shoes. Something to consider, but remember, this is coming from a gal who never saw a pair red stilettos she didn’t like.

This year nearly 160 floral artists participated and some 26,000 color-starved, garden-loving Minnesotans visited. The four-day festival is wildly popular. This is good. Filling a museum any day is good. And I wouldn’t miss Art in Bloom for all the world, even if next year someone sticks a miniature John Deere (or, heaven forbid, a work boot) in the middle of floral interpretation of a farm scene.

Here are some of my favorite Art in Bloom displays from years past:

Santos Dumont's The Father of Aviation II

 

Vincent van Gogh's Olive Trees

 

Egon Schiele's Portrait of Paris von Gutersloh

  

 
 

The goal is to build more libraries than Andrew Carnegie. That’s 2,510. They don’t have to be big or built of marble or be guarded by massive stone lions. They just have to have books and people who want to read them.

The Little Free Library movement started in 2010 in Hudson, Wisconsin, with a tiny library that resembled a one-room schoolhouse. It could hold about 20 books and was built in memory of teacher and book lover June A. Bol by her son, Todd Bol. The concept was simple: take a book; leave a book. Grow literacy like a flower garden in your own front yard. Place a bench by your library so on a summer evening a neighbor and his grandchild can stop by, grab a book, and sit down right then and there and read it.

This simple idea took off and now there are Little Free Libraries in more than 40 states and 20 countries. You can get plans for building your own little library at the Little Free Library website and see a diverse collection of tiny bibliothéques. They are works of art and as individual as they come.

No Library Cards, No Fines

I love the idea of sharing books with abandon, of no one keeping records or collecting fines. I search for libraries wherever I go, and I delight when I find them in unsuspecting corners, like an old general store in Vermont or a historic lodge in Montana. Someone cared enough about the summer readers or vacationing hikers to pull together an often well-worn collection.

Back when Rubbertoes, my partner, and I were geocacheing every weekend, we actually started our own lending library in a cache by a Minnesota lake. We called it Maud’s House after my first book and stocked it with copies of said book carefully protected in waterproof bags. Geocacheing operates on the same principle as the Little Free Library: take something and leave something. With GPS in hand, our visitors took a book, enjoyed a pleasant hike around a lovely lake, and left behind anything from Mardi Gras beads to a McDonald’s toy. It was a fair trade. Some of them read the book and brought it back for the next reader, while others maybe passed it on, leaving it in some other cache so it could travel the world (like some kind of ceramic gnome).

In my novel Book of Mercy, my protagonist Antigone Brown created her own library, Bookhenge, in response to the censorship in her community:

While the rest of Mercy chained holiday wreaths to their doors and cursed contrary Christmas tree lights, Bookhenge exploded in a spirit of giving. No one kept track of the books; no one supervised what someone else read; no one mutilated the books they didn’t like or agree with; no one plucked the words they found distasteful from the pages with razor blades. There was something pristine about the library Antigone built, something that shone like a beacon that child after child followed to a new land.

Whether you create your library to foil the censors or just to see the smiles on the faces of the kids in your neighborhood, don’t ever think you are doing a small thing. If you can instill one other person with a love for reading, and that person impacts another person, you could start an avalanche. And we need one. According to Statistic Brain, 42% of college students will never read another book after they graduate.

That’s nearly half the population missing out on love and adventure and zombies. Yes, I’ll take readers who love zombies over no readers at all. So let’s give Andrew a run for his money. Build a library.

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Do you have a Little Free Library? Tell us about it. Where have you found libraries in odd places?

If you enjoyed this post, you might like my other writing: Maud’s House, about what happens when a town loses its art; and Book of Mercy, a funny novel about a serious issue: censorship. 

 

I used to hate taxes.

It’s true. Every year around tax time, I would search the real estate ads in The New York Times for a small, used island: “Fixer upper. All you need is a well, a small power plant, a road grader, and a garbage collection truck, and you’ve got paradise. Excellent for the independent family. Biological observation galore. Views. Curtains and bug spray not included.”

Then one day, there it was. My tropical tax-free haven. We immediately sold out, packed up, and moved in. I won’t pretend it was easy, but we come from hearty Midwestern stock, and we did learn a heck of a lot about sailing on Minnesota’s 10,000 lakes.

I settled down on our island and began to write a 768-page treatise on exactly what was wrong with America’s economic system: “The rich get richer, while the poor get poorer . . .”

“Mom!” my daughter screamed from the outdoor shower. “There’s no water again. I simply must wash my hair every day.” I tapped a line, jiggled a bucket, handed her the Vidal Sassoon, and headed back to my computer.

“The temptation of tax evasion is not new,” I typed. “Since Biblical times, a visit by the tax collector has brought on the urge to hit the road. We have always wanted services but growled about paying for them.”

My daughter entered my office, drying her hair and mumbling that someone has to fix the potholes on Ocean Drive. Apparently, she’d lost the front tire of her bicycle to a yawning crater. I retrieved the tire, shoveled some gravel into the abyss, passed my daughter the bicycle pump, and returned to my manifesto.

I continued: “We all vilify taxes. Yet, taxes are the ties that bind the human population. Would America even be America without taxes? What if England had said to the colonists: run along, settle the place, and send a postcard when you can?”

I stopped. Was that my daughter strolling down the path, scantily clad in a camouflage bikini? I stuck my head out the window and yelled, “Where are you going dressed like that?”

“To the Occupy Island protest,” my daughter said, “and, by the way, I’m moving to the other side of the island. The service here is the pits. I don’t see why I have to pay my hard-earned coconuts for this. We need coconut collection reform. And, why does my sister pay fewer coconuts than I do?”

“Because you have more coconuts than she does. You can afford to give more to the island than she can. It’s a privilege.”

My daughter bunched a fist on her hip. “So I’m being penalized for being a better coconut tree climber.”

I quoted Benjamin Franklin to her: “Our constitution is in actual operation, everything appears to promise that it will last, but in this world nothing is certain but death and taxes.”

“Isn’t he the guy with the kite?” My daughter frowned.

“Look,” I said, “coconuts are a part of life. If you didn’t have coconuts, you wouldn’t have to pay coconut tax.”

 

A little penguin named Tango and a banned book have created an uproar in Rochester, MN.

Rochester is the home of the Mayo Clinic, the facility patients come to from all over the world to get answers to tough medical questions. Here is where you hope someone will bring information into the light, not hide it. And yet in a recent move, Rochester School Superintendent Michael Muñoz and two school board members decided to do just that: They went against school policy and pulled a book from the shelves of Gibbs Elementary School after a parent complained. The book was And Tango Makes Three, a tale of two male penguins that hatch and raise a baby chick together.

This is not Tango‘s first trip to the rodeo. It has been on the American Library Association’s banned books list since it came out in 2005, usually in the number one spot. Critics contend that it endorses a homosexual lifestyle. As the book says, “She [Tango] was the very first penguin to have two daddies.”

This is a true story. Authors Justin Richardson and Peter Parnell could have included Tango’s much-publicized life in a nonfiction book about animals. Instead, they chose to write a children’s book about a most unusual penguin family.

Tango’s real family lives in the Central Park Zoo in New York. Roy and Silo are a pair of boy chinstrap penguins who prefer each other’s company to that of the girl penguins. The zookeeper noticed how Roy and Silo bowed and sang to each other, made a nice nest, and even rolled an egg-shaped rock into the nest, sitting on it for hours in the hopes of  “hatching” it.

Roy and Silo wanted a family.

When another penguin couple at the zoo produced two fertile eggs, the zookeeper gave one of them to Roy and Silo. After all, twins take work, and the odds of having two fertile penguin eggs raised to adulthood by one couple are slim. Roy and Silo knew “just what to do,” the zookeeper said. They kept the egg warm, turning it over and over so all sides would benefit, until their daughter Tango arrived. Tango’s fathers fed her, sang to her, and snuggled her warm at night. They made sure she knew she was wanted.

If we allow books like Tango to be banned because they make one person uncomfortable, we are giving in to tyranny. We are permitting someone else to control where we get our ideas, and Tango presents some brilliant ones about loving parenting and creating strong families (no matter what their makeup). It has received several national awards for good reason.

I admit I grow impatient with parents who claim censorship is needed to protect our children. I say the solution to this is simple: you control your child’s reading list, and I’ll control mine. Censorship is for cowards. If you want to provide gutsy and meaningful parenting, read Tango with your children and talk about why you do or don’t agree with the worldview it presents.

In Rochester, Tango‘s story was indeed tangled. It was first challenged in the fall of 2011. According to school district policy, it was sent for review to the district’s Committee for Reconsideration of Resources, which voted on November 15 to keep the book in its media collection. When the parent appealed again, Superintendent Muñoz and cohorts decided to ignore that decision and ban the book anyway. On March 19, after a packed school board meeting, Muñoz apologized and said the book would be returned to the library. The next step, if the parent wants to continue, would be to appeal to the entire school board during a public hearing.

I hope Tango is safe and sound in Rochester. In the recent standing-room-only meeting where not one person spoke against the book, Mayor Ardell Brede held a sign proclaiming Rochester as an “inclusive community.”

Like poet Carl Sandburg, I believe “inclusive” to be one of my favorite words. It doesn’t leave much room for hiding; it drags censorship out of the dark where the real dance begins in a free society.  

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For another look at censorship and parenting, check out Book of Mercy.

To hear a reading of And Tango Makes Three:
 

 

 

I fantasize about cooking like the Jetsons do: with the press of a button.

I love to eat but hate to cook, which is a sad situation to be in three times a day. Nothing about the kitchen calls to me—except for occasional baking binges involving cookie cutters and multicolored frosting. In fact, I once remodeled a perfectly good kitchen into a library with a stove.

Perhaps that is why I am intrigued by the Sprinkles Cupcake ATM. Behind its pink doors are freshly baked cupcakes in a variety of flavors courtesy of Sprinkles Cupcakes. Select your flavor de jour, slip in your credit card, and a robotic arm goes to work retrieving your personal box of bakery bliss. The door slides open and voilà. Munchies satisfied—George Jetson style—any time of the day or night.

The cupcake automat also taps some vein of guilt in me. For each passing year, I sneak farther and farther away from my primal beginnings as chief cook and bottle washer. How did I get like this? I come from women who were fearless in the kitchen. My mother, a self-taught cook, loved to experiment with recipes. My grandmother twisted the heads off chickens, for God’s sake.

I rose from a stew of women’s lib, the invention of the microwave, and the proliferation of preservatives—a woman with no burning desire to separate poultry from its head.

Somewhere along the line, without really meaning to, I abdicated the kitchen. Maybe it started when my partner, Rubbertoes, began preparing the occasional meal. Maybe it was when I insisted that my children make their own school lunches. (I reasoned that if I had to shop for it, they could at least toss it in a lunch bag.)

My mother-in-law used to say one of the things she admired about me was my talent for abdication when it came to cooking. This was not possible for a woman of her generation raising seven children in the fifties.

Once she came over for dinner and teased my four-year-old daughter that it was “her turn to cook tonight.”

My daughter replied, “But, Grandma, I can’t drive.”

I think of the cupcake ATM and wonder: if I owned such technology, what would I want my own personal automat to do? Put chocolate chips in my pancakes. Make sure there was always a fresh salad tossed and ready to eat. Peel my oranges in the morning. Know about a million things to do with potatoes. Bake bread, of course. And I haven’t even thought about the drink menu.

I am not alone in my automat envy. I know other women who, like me, get bored just warming up leftovers, who would rather read than cook, and who are thankful to have men in their lives who make a mean chocolate chip pancake.

It has become obvious to me that to cook well one must care. And it has taken me many years to be able to admit that I don’t care about cooking.

I wonder if Judy Jetson ever felt this way, if she stubbornly crossed her arms, and insisted that George press that button on the food processor. If he did, his lobster thermidor probably came out alive and pinching his nose. Those are the kinds of things that happen to George.

I understand. That is the way I cook, too—everything comes out like a sit-com—so it is better that I not try at all. Besides I’m in the middle of this great book.

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Give me a shout: What would you like to have in your own personal automat? Or has one of your meals ever turned out like a situation comedy?

 

When my mother died unexpectedly of cancer, she left five lost daughters, a husband who wrapped his mind around death by watching screaming news analysts on MSNBC, and a lifetime of paper. My mother made multiple copies of everything, from tax returns to brochures about preventing identity theft.

Looking for insurance policies and wills, my sisters and I waded into a sea of overdue bills, old family photos, heart-breaking fund-raising letters from ministries in Oklahoma, thirty-year-old magazine ads promoting the latest and greatest vitamin supplement, handmade birthday cards, embarrassing school report cards, precious letters from relatives we never met, cancelled checks, more copies of cancelled checks, and grease-spotted recipe cards.

Thank goodness, all of us are good swimmers. My mother, who could not swim, saw to that, religiously pulling us out of bed on lazy summer mornings and marching us down to the city pool for lessons in freezing water. So we did patient breaststrokes through waves of papers and found the important documentation, eventually.

We developed a system for clarity that probably would have seemed heartless and unsentimental to a stranger, but it was the most efficient method our grief-frozen brains could come up with given the immensity of the chore before us. We made piles: one to keep and one to burn. The grandchildren delivered the burn pile to a son-in-law who was tending the fire behind the barn. The sisters read and tossed; the grandkids carried; and our father worked the remote.

My mother’s preoccupation with identity theft came to weigh upon me with each box I sorted. Obviously, this was something that concerned her greatly. She was an orphan who had fought nearly every day of her life to establish herself, to be more than that girl in secondhand clothes who quit school, went to work at a restaurant, and was most assuredly headed for damnation. Head high, she fearlessly walked the hard streets of the small opinionated farm town where she lived, worked long hours, squirreled away her money, and made a name for herself in food services. She was so impressive that a competing restaurateur noticed her and actually hired her away with an offer of a percentage of the nightly take at his café—in addition to her salary, of course.

My mother knew who she was, and she wasn’t letting anyone steal it.

When you’re mother is taken from you, the ground shifts. Part of the grieving process is glinting into this bright light of loss and revelation—and seeing someone you don’t recognize. Who was she? Who are you now without her?

This question of identity buzzes around your mind. Even if we don’t realize it, we spend a lot of time arranging the pieces of who we are, what makes us who we are, and who others think we are.

Most of us are a compilation of little things, unobserved actions, quiet moments. Few of us live in the realm of the grand gesture. For example, I’m a catch and releaser. I scoop box elder bugs up in my palm and flick them out the door rather than flattening them on the wall. I do not offer the same courtesy to spiders. For them, I yell for my husband. What he does with them is no concern of mine. But sometimes, we are faced in this world with such an abundance of insect life in places where they are inconvenient to be, that we have to bend the karma branch.

Several months after my mother’s funeral, my husband plugged a hole in our house under the door where some bees were nesting, in an attempt to encourage them to move on to some other sucker’s siding. As expected, they didn’t like the relocation plan. “What’s that sound?” I asked. My husband motioned me over to the wall by the door. I leaned forward and jumped back. The wall was buzzing. Not friendly Sesame Street buzzing. This was taking-over-the-planet, Alfred Hitchcock-directed buzzing.

The bees were mad, trapped, and determined. It took only moments for them to find a way into the house. My husband dashed for the vacuum and began sucking bees from the windows, doors, carpets, and drapes. The vacuum dust canister was alive. He got stung on the arm and the foot. I surreptitiously moved to the back lines of this battle. And that’s the way the weekend went. Buzz, suck, sigh. Finally, in the relative quiet of Sunday evening, we sat on the porch and discussed the invasion.

“Do you think we got all the bees?” I asked, with visions of vindictive stingers creeping up on my pillow in the dead of night.

“Actually, they were yellow jackets. When you tell people this story (he knows me so well), make sure you call them yellow jackets.”

“Is that a type of bee?”

“It’s a wasp, I think. Anyway, we don’t want it to get around that we’ve been murdering bees all weekend. You know, with the mysterious declining bee population.”

Right, we don’t want to be identified as bee killers of killer bees. We spent the weekend with the yellow jackets. That sounds like a sports team or a band. And it was all in self-defense, I tell the karma scorekeeper.

My mother never cared what people thought of her. She was a survivor who did what needed to be done. She prayed for strangers, didn’t believe in karma, and probably killed her share of bees. Without apology.

Rest in peace, Mom. No one could steal your identity.

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Do you have a memory that says who your mother or father was or is? Please leave a comment.

If you enjoyed this post, please check out my novels, Book of Mercy and Maud’s House.

 

This post was crafted by a human being while eating chocolate chips straight from the bag and watching the snow fall. Not all stories have the luxury to be created in such a ridiculously unscientific manner.

Forbes is now using computer-generated stories created by Narrative Science software. Writers apparently are no longer needed for a long list of stories that can be written by algorithm, from sports stories to financial reports. 

Personally, I have known some nice sportswriters and am sad to see them being sent to the junk pile. I always admired the depth of their verb vocabulary.

Who will be next? Bloggers, short story writers, novelists? Please no. I know humans are messy and can’t spell and like to be paid. What if I took fewer bathroom breaks and limited the use of “was” in chapter one? Would that save my job?

I can be creative. I know hundreds of words. Of course, you know thousands and can remember them. But I think people want to read more than stats with a few verbs sprinkled in, something a little more eloquent than a computer manual (no offense). I think they want to be swept away by the turn of a phrase or the essence of a character. They want to imagine themselves . . .

What? Yes, that could be melted chocolate on my keyboard.

I know. That would never happen to you.

 

I despise holidays based on either extortion or expectations of the heart.

Everyone knows my feelings about Halloween. (See “Why I Spend Halloween in the Basement.”) Valentine’s Day ranks right up there with it; I was tempted to name this post “Why I Spend Valentine’s Day Under the Bed.” 

I didn’t always think Valentine’s was a total waste of pink, doilies, and red construction paper. I’m not a complete ogre. I still have those homemade love notes from my kids, and they still make me cry. And then I remember those same kids, years later, sobbing in my arms because some elementary school doofus gave everyone a Valentine but her or because she did’t receive a rose that day from a single high school moron.

This holiday is rife with expectation, hope, and sentimentality. It makes me gag. It makes my heart hurt for all those sitting at home waiting and for those coerced into going out on a miserable date not because you want to but because that’s what you’re supposed to do on February 14.

Romantic love is not dashing into Cub Foods at 5 p.m. and snagging the last bouquet or giving, heaven forbid, a love coupon worth one heck of a time at a future date. It is not having a jet waiting to fly you to Paris (althought that could earn massive points).

Romantic love is giving and receiving a smile EVERY day. It is keeping your mouth shut when you are jumping-around-inside-of-you dying to say something.

You want true love? I’ll give it to you.

One day my husband (whom I shall call Rubbertoes) and I were arguing in the backyard. I forget what it was about, but it started to get heated. Finally, my normally peaceful Rubbertoes flung his gardening trowel into a bed of impatiens and shouted: “And that’s your heart!” For a moment, the world stopped; the birds ceased singing; the children gasped.

And then I burst out laughing. I laughed so hard I nearly fell out of my lawn chair.

No one sends a spade spinning into the aorta of a garden unless they truly care. When we drive each other to the edge and still hang on, that is love. It does’t have anything to do with chocolates or jewelry or tattoos.

My curmudgeonly advice: Don’t do anything special this holiday. Instead, make all the other days of the year special. That’s my plan—do nothing. At least until the grandkids come along.

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Do you celebrate Valentine’s Day? How? Are you a curmudgeon or a mushy, chocolate-loving, diamonds-are-a-girl’s-best-friend sort?

 

This is a story of a woman who drew on the walls and the stove and the breadbox. Her name was Maud. And I fell in love with her spirit.

Folk artist Maud Lewis of Nova Scotia was a wee woman with such a great artistic spirit that her entire house has been preserved in the Art Gallery of Nova Scotia. The diminuitive dwelling doesn’t take up much space; it was only a 10 x 12 foot fisherman’s shack to begin with. Yet it was bursting with life when Maud lived there.

“Once this house was covered in tattoos.” That was the first line I wrote for my novel Maud’s House, after reading about Maud Lewis and seeing her artwork. Although my novel has nothing to do with Maud Lewis or her life, I hope it is imbued with her unquenchable desire to create. I couldn’t help but name my character Maud because she came to be as driven as the real Maud.

Pictures of Maud Lewis nearly always show her smiling and hiding her hands, which had begun to curl and become misshapen when she was 15. Her art is always joyful: brightly colored flowers, oxen with large curling eyelashes, glorious butterflies and birds. These were the things Maud saw from her window every day.

When I get stuck and consider complaining about how lousy the writing is going, I think of Maud and kick myself. She was a sickly orphan passed around from one poor relative to another until one day, in her thirties, she walked down the road from Digby to the isolated cabin of shy fish peddler Everett Lewis. Everett was impressed that his dog didn’t bark at their uninvited visitor. Apparently, Maud had passed some kind of test. Within weeks, they were married and living in their closet of a home.

Everett encouraged Maud’s love of painting and scrounged paints for his wife. Soon she was riding along on his fish route in the Model T selling hand-painted postcards—five for a quarter.  In the 1940s, Maud put out a roadside sign, “Paintings for sale,” and began selling small paintings to tourists for $2.50. By the time she died in 1970, at the age of 67, her paintings were being shipped to collectors all over the world.  

These are the things you should remember about Maud Lewis:

  • She never took a drawing lesson, read a textbook, or saw a work of art.
  • She contracted polio as a child and later was afflicted by arthritis. She lived in constant pain. By the end of her life, Everett had to lift her out of the bed in the morning, dress her, and set her by her easel and paints. And still she painted: everything in her house (even the windowpane), driftwood, cookie sheets.
  • In her final years, in the hospital with a broken hip and no longer able to control a paintbrush, she made Christmas cards for the nurses with felt pens.

When she was creating her art, Maud Lewis escaped pain, poverty, and the Nova Scotia cold.

She proved that the creative spirit makes everything seem bigger—life, love, even a painted doll house with no insulation or running water.

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Visit the Painted House of Maud Lewis

 

© 2011 Sherry Roberts Notebook Suffusion theme by Sayontan Sinha